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[personal profile] tamaranth
2025/157: Saltwash — Andrew Michael Hurley
English delapidation was... the blistered formica on the tables of a seafront cafe. Derelict gift shops and thrift shops with whitewashed windows. A pub with steel plates over its doors. Cracked, pebble-dashed sheters along the promenade, roosted by gulls. [loc. 168]

I've enjoyed Hurley's previous novels (The Loney, Starve Acre, Devil's Day -- I note that I read all those in the space of two months!) but found Saltwash thoroughly depressing: bleak, nihilistic and devoid of joy. The setting (the eponymous Northern seaside town in November, delapidated and down on its luck) is dispiriting, and the protagonist is dying of cancer and raddled by guilt.Read more... )

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2025/156: Dreamhunter Duet — Elizabeth Knox
'I was finished. I wanted time to stop, and to let me stop with it. And I wanted revenge.
I ... said to the land, 'Bury me, and rise up. Rise up and crush them all.' [loc. 5131]

Rereads, after reading Kings of This World -- which is set in the same alt-Aotearoa-New Zealand, rather later than the Dreamhunter duet, which begins in 1906. My original reviews from (OMG) 2005 and 2007 are here: The Rainbow Opera and The Dream Quake.

The link points to the first of two volumes: the second has only just become available on Amazon.

Read more... )

2025/155: Sabella — Tanith Lee

Oct. 9th, 2025 09:28 am
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[personal profile] tamaranth
2025/155: Sabella — Tanith Lee
There are genuine ruins (beware tourist traps) here and there. Thin pillars soaring, levelled foundations crumbling, cracked urns whispering of spilled dusts -- all the Martian dreams that old Mars denied to mankind. [loc. 53]

Another reread, when I was (unsuspectingly) coming down with a migraine: I last read this in the last millennium, and had forgotten much of it. It's a short novel, an SF vampire romance set on Novo Mars -- like original Mars, but pink rather than red, with rapid sunsets and mutated earth-import flora and fauna. 

The novel opens with Sabella Quey receiving an invitation to her aunt's funeral. There's an ominous bequest (her aunt was a devout Christian Revivalist, and knew about Sabella's unsavoury youth) and a gorgeous young man who tracks Sabella back to her isolated home, and does not question her about her aversion to sunlight, or the bottles of red juice ('pomegranate and tomato juice... my physician makes it up for me') in the fridge.

Read more... )
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[personal profile] tamaranth
2025/154: I Who Have Never Known Men — Jacqueline Harpman (translated by Ros Schwarz)
I ... have no memories of my own childhood. Perhaps that’s why I’m so different from the others. I must be lacking in certain experiences that make a person fully human. [loc. 1546]

We first encounter the nameless narrator near the end of her solitary life, determined that her story will not die when she does. Gradually we discover her history: that her first memories are from an underground prison where she, and thirty-nine adult women, were held captive for years. She can't recall anything from before the prison, and none of the women can tell her much: just screams, flames, a stampede...Read more... )

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[personal profile] tamaranth
2025/153: All of Us Murderers — KJ Charles
"Gideon and I have nothing to be ashamed of. Or perhaps I do. Perhaps all of us Wyckhams are murderers, by Act or proxy or inaction or just heredity..." [loc. 2943]

Zebedee Wyckham is invited to visit his cousin's remote country house. Expecting a warm welcome from a cousin he only vaguely remembers, Zeb is horrified to find himself thrust into the company of his relations: his estranged brother Bram, Bram's wife Elise, Zeb's cousin Hawley, a new-found young cousin called Jessamine -- and, worst of all, Zeb's own ex, Gideon, who he hasn't seen since they both lost their jobs due to Zeb's behaviour. 

Read more... )
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2025/152: Giovanni's Room — James Baldwin
As for the boys at the bar, they were each invisibly preening, having already calculated how much money he and his copain would need for the next few days, having already appraised Guillaume to within a decimal of that figure, and having already estimated how long Guillaume, as a fountainhead, would last, and also how long they would be able to endure him. The only question left was whether they would be vache with him, or chic, but they knew that they would probably be vache. [p. 53]

I read about James Baldwin's life and work in Nothing Ever Just Disappears, and it sparked the urge to read one of his novels: Giovanni's Room is perhaps the best-known: a short novel about an American, David, who goes to Europe to 'find himself', takes up with Giovanni but fears and rejects his own sexuality, and ends up with emptiness. David's first-person narrative begins, he tells us, on 'the night which is leading me to the most terrible morning of my life': the morning on which Giovanni will be executed. 

Read more... )

Monthly culture, August 2025

Sep. 30th, 2025 08:50 am
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[personal profile] tamaranth
01AUG25: Macbeth (Shakespeare) -- Wilton's Music Hall
Read more... )
07AUG25: Official Secrets (Hood, 2019) -- Netflix
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08AUG25: Weapons (Cregger, 2025) -- Greenwich PictureHouse
Read more... )


EDINBURGH 2025
19AUG25: The Cyclops (Acting Coach Scotland) -- Annexe at theSpace @ Symposium Hall
Read more... )
19AUG25: Mitch Benn: The Lehrer Effect -- Underbelly
Read more... )
19AUG25: Women of Rock (Night Owl Shows) -- Grand Theatre at theSpace @ Surgeons' Hall
Read more... )
19AUG25: Iphigenia in Tauris (Intothedark / Euripides) -- The Annexe at Paradise in The Vault
Read more... )
20AUG25: A Poem and a Mistake (by Cheri Magid, performed by Sarah Baskin) -- Assembly Rooms
Read more... )
20AUG25: Arachne (Britt Anderson, Whisper Theatre) -- Britt Anderson, Whisper Theatre
Read more... )
20AUG25: Miriam Margolyse -- Edinburgh International Conference Centre
Read more... )
21AUG25: Monstering the Rocketman (Henry Naylow) -- Pleasance Dome
Read more... )
21AUG25: Circa - Wolf -- The Lafayette at Underbelly’s Circus Hub on the Meadows
Read more... )
21AUG25: Canvas of Sound (Tazeen Qayyum, Feras Charestan and Basel Rajoub) -- The Hub
Read more... )
22AUG25: From Primordial Soups to Primates in Suits (Dr David Jones) -- South Gallery Annexe at Dovecot Studios
Read more... )
22AUG25: Bolero (Kinetic Orchestra) -- DB3 at Assembly @ Dance Base
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22AUG25: Iago Speaks (Rumpus) -- Big at theSpaceTriplex
Read more... )
23AUG25: Bacchae (Company of Wolves) -- Upstairs at Assembly Roxy
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23AUG25: Figures in Extinction (Nederlands Dans Theater) -- Festival Theatre
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23AUG25: Pop Off Michelangelo (Blair Russell Productions) -- Udderbelly at Underbelly, George Square
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23AUG25: As You Like It: A Radical Retelling (Cliff Cardinal) -- Church Hill Theatre
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28AUG25: Thursday Murder Club (Columbus, 2025) -- Netflix
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29AUG25: The Roses (Roach, 2025) -- Greenwich PictureHouse
Read more... )
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- The State of the Me: v. tired. Nothing dreadful, merely too "geriatric" to support regular heavy menstruation. My family: dragging the average age of menopause waaay up since forever, lmao.

- Futuristic lolibobs: an attempt will soon be made on at least four islands in a week. Might be awol for a while. I haven't sent you to Coventry, and aten't ded (probably).

- Ghosts of lolibobs past: I can't stop thinking about these three wholly unrelated things...

1. Those British seaside food kiosks that hedge their weather-related bets with cheery signs for "ice cream" on one side of the window and "hot food" on the other. I'm now imagining a typical British holidaymaker emerging from the front of the queue with a whippy cone in one hand and boiling tea in the other, lol.

2. While changing trains in Cardiff with time to spare I wandered out of the station to see what I miss when I'm in a hurry and there's a wonderful statue of headmistress Betty Campbell, the first Black headteacher in Wales, which has been there since 2021. It's a realistic depiction, by sculptor Eve Shepherd, of Campbell literally larger than life, at 4m (13ft), and surrounded by equally well-sculpted local children, mostly reading. The inscription on the back quotes Campbell: "We were a good example to the rest of the world, how you can live together regardless of where you come from or the colour of your skin." - "Roedden ni'n esiampl dda i weddill y byd o sut y gallwn gyd-fyw beth bynnag yw eich gwreiddiau neu liw eich croen.". Campbell was chosen as the subject in a public vote, ahead of other women such as poet Cranogwen, suffragette Margaret Haig Thomas, Labour Party organiser Elizabeth Andrews, and anthropologist Elaine Morgan, so it was a significant sign of widespread respect in addition to the honour of a public statue in Central Square, next to one of the busiest pedestrian street crossings in Cardiff.

Images of the Betty Campbell statue (wikimedia).

3. There's gNo place like gnHome. Still thinking about the bare grass expanse hosting Llarge Llandudno LLandudgnomes around the base of supports for a street name sign rooted in the lawn of a suburban garden, and the way the gnomes weren't blocking the sign but enhancing it: displayed like a collection in an open air museum; prompting viewers to acknowledge the gnomes in a commentary on suburban culture, subverting passing glances like a Banksy, or like being Rick-rolled by traditional genii loci ("never gonna give you up"); or an accumulation of gifts after one or two were initially placed by the gnHome-owner.

Llarge Llandudno Gnomes

Surrounding a street sign on a suburban lawn,
huddled like a team playing capture the flag,
arrayed like an army of watchful guards,
clotted like antibodies against invasion,
aggregated like pebbles set in concrete,
clumped in a clod like earth elementals,
clustered like petals round the disc of a daisy,
a constellation of gnomic gods.
tamaranth: me, in the sun (Default)
[personal profile] tamaranth
2025/151: Is a River Alive? — Robert Macfarlane
...the Mutehekau Shipu’s mode is, surely, purely flow, I think, and its grammar of animacy is one of ands and throughs and tos and nows, of commas not full stops, of thens not buts, aura not edge, of compounds and hyphens and fusings, silver-blues and grey-greens and mist-drifts and undersongs, process not substance, this joined to that, always onrushing, always seeking the sea and here and there turning back upon itself, intervolving, eddying in counterflow to cause spirals and gyres that draw breath into water, life into the mind, spin strange reciprocities, leave the whole world whirled, whorled. [loc. 4333]

If a corporation can be treated as a person, why can't a river? Macfarlane explores three river systems -- the Rio Los Cedros in Ecuador, the Mutehekau Shipu in Canada, and the three rivers braided through Chennai -- and combines poetry, spirituality and adventure in a philosophical discussion of what constitutes 'life' and how a river is part of the 'polyphonic world', important and valuable not just for how it can be exploited but for its own intrinsic qualities.

Read more... )

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